Education and Honors
Cooper Union Art School - Graduated 1958
Born in NYC, resides in Westport, CT
2017 | FID #8 International Drawing Competition, Paris France, Selected Nominee |
2015 | Smithsonian Archives of American Art, Washington DC, Artist Papers |
2009 | James Renwick Alliance of The Smithsonian Institution, Washington, DC, Master of the Medium Award |
2008 | The Drawing Center, New York, NY, Drawing Room Viewing Program |
2008 | Connecticut Commission on the Arts, Hartford, CT, Visual Artist Grant, Works On Paper |
2003 | American Crafts Council, Minneapolis, MN, Fellow |
2002 | Connecticut Commission on the Arts, Hartford, CT, Visual Arts Fellowship |
2000 | United Nations Association, New York, NY, 100 Outstanding Connecticut Women |
1992 | Connecticut Commission on the Arts, Hartford, CT,Purchase Award |
1987 | Monterey Peninsula Museum of Art, Monterey, CA, Exhibition Award |
1986 | National Endowment for the Arts, Washington, DC, Visual Arts Fellowship |
1986 | Parsons School of Design, New York, NY, Artquest ’86, First Place in Fiber |
1981 | Women in Design International, Outstanding Achievement Award |
1976 | Carnegie Institute Museum of Art, Philadelphia, PA, Convergence `76; Fiber Structures |
1976 | Delta State University, Cleveland, MS, Cotton Comes Home: International Competition, Merit Award> |
Museum and Public Collections
Arizona State University Museum of Art, Tempe, AZ
Arkansas Art Center, Little Rock, AR
Arkansas Museum of Fine Arts Foundation Collection, Little Rock, AR
Connecticut Commission on the Arts, Hartford, CT
Contemporary Museum, Honolulu, HI
Cooper Hewitt Museum, Drawings, Prints. and Graphic Design Collection, New York, NY
Curtis Finch Jr. Portrait Collection, Little Rock, AR
DeCordova Museum of Art, Lincoln, NE
Denver Art Museum, Denver, CO
Detroit Institute of Arts, Detroit, MI
Erie Art Museum, Erie, PA
Fairfield University Art Museum, Fairfield CT
Grotta Collection, Harding Township, NJ
Housatonic Community College Museum of Art, Twentieth Century Sculpture, Bridgeport, CT
Houston Museum of Fine Arts, Houston TX
Jack Lenor Larsen, Long House Foundation, East Hampton, NY
Josephus Daniels Foundation, Raleigh, NC
Kwang Ju Museum, Kwang Ju, Korea
Metropolitan Museum of Art, New York, NY
Minneapolis Institute of Art, Minneapolis, MN
Mint Museum of Art, Charlotte, NC
M.H. de Young Memorial Museum, San Francisco, CA
Montreal Museum of Fine Arts, Montreal, Quebec, Canada
Museum of Arts and Design, New York, NY
Museum of Fine Arts, Boston, MA
Museum of International Folk Art, Santa Fe, NM
Museum of Texas Tech University, Lubbock, TX
National Museum of Art, Renwick Gallery, Smithsonian Institution, Washington, DC
Neutrogena Corporation Collection, Los Angeles, CA
Philadelphia Museum of Art, Philadelphia, PA
Philbrook Museum of Art, Tulsa, OK
Racine Art Museum, Racine, WI
Rhode Island School of Design Museum of Art, Providence, RI
Wadsworth Atheneum, Hartford, CT
Westport Public Art Collections, Westport, CT
Solo Exhibitions
2023 | Norma Minkowitz: Body to Soul Fairfield University Art Museum, Bellarmine Hall Galleries, curated by Sarah Parrish, Fairfield, CT |
2019 | The Sabbath Now, Minneapolis Institute of Art, Minneapolis, MN |
Solos 2015, Westport Art Center, Westport, CT, curated by Richard Klein, Exhibitions Director, Aldrich Contemporary Art Museum, Litchfield, CT | |
Drawn to the Edge: Drawings and Small Sculpture, The Great Hall, Westport Library, Westport, CT | |
2014 | Inside The Void, Drawing and Collage by Norma Minkowitz, Gallery La Pêche, Los Angeles, CA |
Summer 2014, New Arts Gallery, Litchfield, CT | |
2013 | Storylines: Sculpture and Drawings by Norma Minkowitz, Snyderman/Works Gallery, Philadelphia, PA |
2011 | Drawn To the Edge, Sculpture and Drawings by Norma Minkowitz, H. Pelham Curtis Gallery, New Canaan, CT |
2007 | Passion of the Line: 20th Anniversary Exhibition, Bellas Artes Gallery, Santa Fe, NM |
2005 | Norma Minkowitz, New Arts Gallery, Litchfield, CT |
2002 | Portraits and Passages,Bellas Artes Gallery, Santa Fe, NM |
1999 | New Sculpture, Bellas Artes Gallery, Santa Fe, NM |
1996 | Out on a Limb,Bellas Artes Gallery, Santa Fe, NM |
Bridge IV: Norma Minkowitz, Society of Contemporary Crafts, Pittsburgh, PA, catalog | |
1995 | Exposed/Enclosed, Norma Minkowitz, H. Pelham Curtis Gallery, New Canaan, CT |
1994 | Sculpture, Bellas Artes Gallery, Santa Fe, NM |
1993 | Norma Minkowitz, Bellas Artes Gallery, Santa Fe, NM |
Norma Minkowitz 1987-1993, The Westman Collection, Birmingham, MI | |
1991 | The Body as Vessel, Bellas Artes Gallery, New York, NY |
1990 | Norma Minkowitz, Bellas Artes Gallery, Santa Fe, NM |
1989 | Norma Minkowitz / New Work,Bellas Artes Gallery, Santa Fe, NM |
1987 | Two Person Award Show, Monterey Peninsula Museum of Art, Monterey, CA |
Visual Reservoirs: Objects and Images In-Of-Under-About Surface, Monterey Peninsula Museum of Art, Monterey, CA |
Group Exhibitions
2024 | Discourse: art across generations and continents, browngrotta arts, Wilton,CT |
2024 | Circe: A Goddess For Our Time, Eastern CT State College, CT Curated by Julia Wintner |
2023 | Everything Is A Little Fuzzy Arizona State University Art Museum |
2023 | Jack Larsen II Mobilia Gallery,Cambridge, MA |
2023 | Award winning International Artist “Acclaim” browngrotta arts, Wilton,CT |
2023 | In Their Elements Women Artists Across Media Fairfield University Art Museum |
2022 | Conversational curated by Tony Caretta, Arts on The Lake-Art Center, Carmel, NY |
Woman Pulling at the Threads of Social Discourse, MoCA, Museum of Contemporary Art, Curated By Melanie Prapopoulos, Westport, CT | |
In the Making: Modern and Contemporary Fiber Art New Aquisitions, Curated By Nicole LaBouff, Minneapolis Institute of Art, Minneapolis, MN | |
Renwick Gallery of The Smithsonian Institution, 50th Anniversary Exhibition, This Present Moment: Crafting A Better World, Renwick Gallery of The Smithsonian Institution, Washington DC | |
Twenty-Two Textile Artists For 2022, Mobilia Gallery, Cambridge, MA | |
Crowdsourcing a Survey of Textile and Mixed Media Art, browngrotta arts, Wilton, CT | |
The Westport Idea MoCA, Museum of Contemporary Art, Westport Public Art Collection, Westport, CT | |
2021 | 2021 Adaptation: Artists Respond to Change? browngrotta arts, Wilton, CT |
In Stitches: Contemporary Approaches to Needlework. RAM WI | |
2020 | 2020 Volume 50: Chronicling Fiber ART for Three Decades, browngrotta arts Wilton, CT |
2019 | Recent Acquisitions: Fiber Art at MIA, Minneapolis Institute of Art, Minneapolis, MN |
Artists from the Grotta Collection, browngrotta arts, Wilton, CT | |
Off the Wall: American Art to Wear, Philadelphia Museum of Art, Philadelphia, PA, Curated By Dilys E. Blum | |
The Edge Effect: Katonah Museum of Art International, Katonah, NY, Juror: Akili Tommasino | |
Identity + Intersection, browngrotta arts, Wilton, CT, Catalog | |
2018 | Honoring Karen Johnson Boyd: Collecting at RAM, Racine Art Museum, Racine, WI |
Nature Redefined, Mobilia Gallery, Cambridge, MA | |
Blue/Green, browngrotta arts, Wilton, CT, catalog | |
Handmade: Women Reshaping Contemporary Art, Westport Arts Center, Westport, CT, Curated By Elizabeth Gorayeb | |
The Good Making of Good Things: Craft Horizons Magazine 1941-1979, Arizona State University Museum of Art, Tempe, AZ | |
2017 | Of Art & Craft, Flinn Gallery, Greenwich, CT, Curated By Leslee Asch |
Cut the Edge, Weave the Line: Exploring the Vision & Creativity of Contemporary Textile Art, Mobilia Gallery, Cambridge, MA | |
Plush, Art and Culture Center,Hollywood, FL, Curated By Laura Marsh | |
Still Crazy After All These Years: 30 Years, browngrotta arts, Wilton, CT, Catalog | |
Threads of Connection, Bernice Steinbaum Gallery, Miami, FL | |
2017-2020 | Rooted, Revived, Reinvented: Basketry in America, University of Missouri, Colombia, MO, Tour/Catalog |
2016-2017 | She: Images of Female Power from the Permanent Collection, Wadsworth Atheneum, Hartford, CT |
2017 | More Than Words,Westport Arts Center, Westport, CT |
2016 | The Conference of The Birds, Shirley Fiterman Art Center at Borough of Manhattan Community College, New York, NY, Curated By Brenda Zlamany |
The Angel of History, Station Independent Projects, New York, NY, Curated By David Gibson | |
10th Fiber Biennial, Snyderman/Works Gallery, Philadelphia, PA | |
Art on Paper, Pier 36, NYC, browngrotta arts, Wilton, CT | |
2015 | Body Language: New Acquisitions of Figurative Work, Racine Art Museum, Racine, WI |
2014-2015 | Loomless: Contemporary Fiberworks from the Museum's Collection, Honolulu Museum of Art, Honolulu, HI |
2014 | Game Changers: Fiber Art Masters and Innovators, Fuller Craft Museum, Brockton, MA |
Of Two Minds:Artists Who Do More Than One of a Kind, browngrotta arts, Wilton, CT | |
9th Fiber Biennial, Snyderman/Works Gallery, Philadelphia, PA | |
2013 | Top 10 at 10: From the RAM Collection, Racine Art Museum, Racine, WI |
2012 | Anthropomorphism, Montreal Museum of Fine Arts, Montreal, Canada, Curated By Diane Charbonneau |
8th International Fiber Biennial, Snyderman /Works Gallery, Philadelphia, PA | |
Toy Stories, Westport Arts Center, Westport, CT, Curated By Helen Klisser During | |
Retro/Prospective, 25 Years of Art Textiles and Sculpture, browngrotta arts, Wilton, CT, Catalog | |
2011 | Stimulus Invitational Fiber Exhibition, browngrotta arts, Wilton, CT, catalog |
Sleight of Hand, Denver Art Museum, Denver, CO, Curated By Dr Alice Zrebiec | |
New York Fiber in The 21st Century, Lehman College Art Gallery, Bronx, NY, Curated By Sandra Sider | |
2010 | Different Lines: Drawings by Craft Artists, Fuller Craft Museum, Brockton, MA, Curated By Joan Hausrath |
Intertwined: Contemporary Baskets from The Sara and David Lieberman Collection, Museum of Arts and Design, New York, NY, Curated By Heather S.Lineberry, Catalog | |
Knitted, Knotted, Netted, Hunterdon Art Museum, Clinton, NJ | |
A Proposal for a New Century, International Textile Competition, Kyoto International Conference Hall, Kyoto, Japan | |
2009 | 10th Wave lll: Art Textiles and Fiber Sculpture, browngrotta Arts, Wilton, CT, Catalog |
Matters of Pattern: Individual Artist Fellowship Grants of 2008, Works on Paper, Connecticut Commission on the Arts, Hartford, CT | |
The Dorothy Saxe Invitational, Contemporary Jewish Museum, San Francisco, CA, Catalog | |
Permanently Mad, Museum of Arts and Design, New York, NY | |
2008 | Works on Paper Drawings, Nancy Margolis Gallery, New York, NY |
2007 | Selections from the The Wornick Collection: Shy Boy, She Devil, and Isis, Museum of Fine Arts, Boston, MA, Catalog |
One of a Kind: The Studio Craft Movement, Metropolitan Museum of Art, New York, NY, Curated By Jane Adlin | |
2006 | Beyond Weaving: International Art Textiles, Flinn Gallery, Greenwich, CT |
2005 | Term Limits: Textiles in Contemporary Art, RISD Museum Providence, RI |
2005 | Scents of Purpose: Artists Interpret the Spice Box, The Contemporary Jewish Museum, San Francisco, CA, Catalog |
No Boundaries, Art + Fiber, Neusteter Textile Gallery, Denver Art Museum, Denver, CO, Curated By Dr. Alice Zrebiec | |
2004 | 9th Triennial for Form and Content:Traditions/Transitions/The Changing World of Fiber Art, Wadsworth Atheneum, Hartford, CT, Curated By Carol Dean Krute |
2003 | Corporal Identity-Body Language, Museum für Angewandte Kunst, Frankfurt, Germany; Museum of Arts and Design, New York, NY, Catalog |
College of Fellows: Aileen Osborn Webb Award Exhibition, SOFA, Chicago, IL, Curated By Paul Smith | |
Visual Arts Fellowship Exhibition, Connecticut Commission on the Arts, Hartford, CT | |
2002 | Threads On the Edge, The Daphne Farago Collection, Boston Museum of Fine Arts, Boston, MA |
Fiber Art: Following the Thread, Smithsonian Archives of American Art Research Center, New York, NY | |
2000 | Miniatures 2000, Helen Drutt Gallery, Museum of Art and Design, Helsinki, Finland |
7th International Shoebox Sculpture Exhibition, University of Hawaii Invitational, University of Hawaii, Honolulu, HI, Catalog | |
1999 | Weaving the World, Contemporary Art of Linear Construction, Yokohama Museum of Art, Yokohama, Japan, Catalog |
1998 | 9th International Triennial of Tapestry Invitational, USA, Lodz, Poland, Catalog |
The Amazing World of Fiber Art, Wadsworth Atheneum, Hartford, CT | |
Five Points of View, San Francisco Craft and Folk Art Museum, San Francisco, CA | |
1997 | Hung Out to Dry, Steinbaum Krauss Gallery, New York, NY |
1995 | Fiber: Five Decades from the Permanent Collection of the American Craft Museum, New York, NY, Catalog |
Contemporary Fiber from St. Louis Collections, The St. Louis Art Museum, St. Louis, MO | |
1992 | Modern Design:1880-1990, Twentieth Century Art, Metropolitan Museum of Art, New York, NY, Catalog |
1991 | Art in Embassies Program, United States Department of State, Warsaw, Poland |
1990 | The Female Form in Contemporary Art from the Permanent Collection, Wadsworth Atheneum, Hartford, CT, Curated By Andrea Miller-Keller |
Exploring the Figure through Sculptured Form, Newport Art Museum, Newport, RI, Curated By Allison Cywin | |
Arte Textil Fibers; USA/Columbia, Florida State University Gallery and Museum, Tallahassee, FL, Catalog | |
1989 | The Vessel: Studies in Form and Media, Craft and Folk Art Museum, Los Angeles, CA |
1988 | Craft USA, American Craft Museum, New York, NY, Curated By Paul J. Smith, European Tour/Catalog |
The Tactile Vessel, Erie Art Museum, Erie, PA, Curated By Jack Lenor Larsen, Tour/Catalog | |
1987 | A Sensitivity to Textiles, University Art Museum at University of WI-Madison, Tour/Catalog |
Craft Today: Poetry of the Physical,American Craft Museum, New York, NY, Curated By Paul J. Smith, catalog | |
1986 | FiberR/Evolution, Milwaukee Art Museum and University Art Museum, Milwaukee, WI, Tour/Catalog |
1985 | The Flexible Medium: Art Textiles from the Museum Collection, Renwick Gallery, Smithsonian Institution, Washington, DC |
The New Elegance: Contemporary Wearable Art, Newark Museum of Art, Newark, NJ | |
1984 | Fiber Structure National, Downey Museum or Art, Downey, CA |
1984 | Art To Wear, New Handmade Clothing, American Craft Museum curated by Paul Smith New York, New York |
1983 | Fiber: The Artist’s View, Long Island University, Hillwood Gallery, Brookville, NY, Catalog |
1978 | The Great American Foot, Museum of Contemporary Crafts, New York, NY, Tour/Catalog |
1977 | Fiberworks International,Cleveland Museum of Art, Cleveland, OH, Catalog |
Wearable Art, Philadelphia Museum of Art, Philadelphia, PA | |
1976 | The Handwrought Object: 1776-1976, Herbert F. Johnson Museum of Art. Ithaca, NY, Catalog |
Fiber Structures, Museum of Art, Carnegie Institute, Pittsburgh, PA, Catalog | |
Second International Competition of Miniature Fiber Work, British Craft Centre, London, England, Tour/Catalog | |
1975 | Contemporary Crafts of The Americas International, Colorado State University, Fort Collins, CO |
Homage to the Bag Museum of Contemporary Crafts, New York, NY, Catalog | |
1974 | Portable World, Museum of Contemporary Crafts, New York, NY and Cranbrook Academy of Art Museum, Bloomfield Hills, MI, Catalog |
Clothing to Be Seen, Museum of Contemporary Crafts, New York, NY, Catalog | |
Baroque ’74, Museum of Contemporary Crafts, New York, NY, Catalog | |
1972 | Fiber Art by American Artists, Ball State University, Muncie, IN Catalog |
2023 | The Fine Art of Running, Norma Minkowitz National Senior Games Association By Del Moon, NSGA PR Specialist nsga.com |
2023 | Norma Minkowitz ; Body To Soul, Art New England, Fairfield University Art Museum Terri C Smith |
2022 | The Present Moment: Renwick Gallery of The Smithsonian American Art Museum, Mary Savig |
2019 | The Grotta Home by Richard Meier: A Marriage of Architecture and Craft |
Arte Morbida, Interview with Norma Minkowitz by Maria Rosaria Roseo, artemorbida.com | |
Zoneone Arts Brings Norma Minkowitz to You, Deborah Blakely, Australia | |
Hand/Eye: On Death and Regeneration, Norma Minkowitz, online, Rebecca Schiller | |
Off the Wall: Art to Wear, co-published by Philadelphia Museum of Art and Yale University Press | |
art+identity, an international view, browngrottaarts, Wilton, CT | |
Cabrillo College Porter Gulch Review | |
2017 | Norma Minkowitz A Life in The Fiber Arts, Dora Ohrenstein, Interweave Magazine |
Rooted, Revived, Reinvented: Basketry in America Schwain and Stealey, Schiffer Publishing | |
Exploring Fiber Art, Anne Lee and E.Ashley Rooney, Schiffer Publishing | |
2015 | Masters of Craft: Portraits, Paul J Smith, Schiffer Publishing |
Artistry- Norma Minkowitz, New England Home Magazine, March/April, by Kris Wilton | 2013 | North American Women Artists of The 20th Century, Edited by Jules Heller and Nancy Heller |
Fiber Art Now, Outside Looking In: The Crochet Vessels of Norma Minkowitz by Noelle Foye | |
The Fine Art of Crochet, Gwen Blakely Kinsler, Author/House Publishing | |
2012 | Retro/Prospective: 25 Years of Art Textiles, browngrottaarts |
2011 | Fiber Art Today, Carol K Russell, Schiffer Books |
2010 | Makers: A History of American Studio Crafts, Janet Koplos and Bruce Metcalf |
2009 | 10th Wave lll, Art Textiles and Fiber Sculpture, browngrottaarts |
Choosing Craft: The Artist’s Viewpoint, by Vicki Halper and Diane Douglas | |
2008 | Norma Minkowitz: Passion of the Line, Richard Tobin. Santa Fe, NM |
Review Passion of the Line by Leslie Clark, Surface Design Magazine | |
Studio Furniture of the Renwick Gallery, Smithsonian American art Museum | |
2007 | The Wornick Collection, “Shy Boy, She Devil, and Isis,” Gerald Ward, MFA Publications Museum of Fine Arts, Boston, MA |
2006 | Beyond Weaving International Textiles, browngrotta arts |
Material Difference, Polly Ullrich, Friends of Fiber Art International | |
The Magazine of the Montreal Museum of Fine Arts | |
Interweave Magazine, Artist Profile, by Michelle Mach | |
2005 | Sculpture Magazine, Writing Around Space, Kathleen Whitney, Oct issue |
Feature, Westport Magazine, Crossing Lines, by Susan Gerber, April Issue | |
Artwear, Fashion and Anti-fashion, Melissa Leventon, Fine Arts Museum of SF, CA | |
2004 | The Sculpture Reference: Contemporary Techniques, Terms, Tools, Materials and Sculpture, by Arthur Williams |
Norma Minkowitz Portfolio Collection, Monograph, Telos Art Publishing, Brighton, England, Kathleen Whitney, Jane Adlin, David McFadden | |
SOFA CHICAGO Catalog, Spaces Within, Essay by Kathleen Whitney | |
2003 | Corporal Identity- Body Language, 9th Triennial for Form and Content, Museum of Arts and Design, NYC Catalog |
CRAFT Magazine, September 2003, No.25, Essay by Mee Hye Lee, Seoul, Korea | |
Art News, January 2003, Norma Minkowitz/Bellas Artes, Review by Dottie Indyke | |
Fiberarts Magazine, March/April, Portraits and Passages, Bellas Artes, Review by Ruth Lopez | |
2002 | Surface Design Journal, The Importance of Being Fiber, Twylene Moyer, Vol 26, #4 |
Smithsonian Archives of American Art, Oral History program | |
2000 | Nouvel Object III and V, Sept 1997 and 2000, Seoul, Korea |
American Craft, Feb, Norma Minkowitz/ Bellas Artes Gallery, Review by Kathleen Whitney | |
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Weaving the World, Contemporary Art of Linear Construction, Yokohama Museum of Art, Catalog |
1997 | North American Women Artists of the Twentieth Century: A Biographical Dictionary, Nancy G. Heller, Jules Heller |
1996 | The Magazine: Santa Fe, Out on a Limb, works by Norma Minkowitz, Review by Christine Hemp |
1995 | Shaping Space, Second Edition: Paul Zelanski and Mary Pat Fisher, Harcourt/Brace |
1992 | Fiberarts Magazine, Norma Minkowitz: The Body as Vessel, Review by Betty Freudenheim |
1990 | The New Textiles, Trends and Traditions, Chloe Colchester, Rizzoli |
Modern Design 1890-1990 in the Metropolitan Museum of Art, R. Craig Miller | |
Norma Minkowitz: Shadow Boxes, Review by Margo Shermeta, American Craft Magazine, Dec/Jan | |
1989 | By Design, the Evolving Basket, Metropolis Magazine, Victoria Geibel |
The Tactile Vessel, Jack Lenor Larsen, Erie Art Museum | |
1988 | The Art of Seeing, Zelanski/ Fisher, Prentice Hall |
Columbia University; Oral History Archives of Fiber Artists,Greenwood Press | |
1987 | Reminiscences of Norma Minkowitz: Richard M. Polsky |
1986 | Fiber R/Evolution; Milwaukee Art Museum; Rosalie Goldstein; Burton & Mayer |
Art to Wear, Julie Schafler Dale Abbeville Press | |
Craft Today:Poetry of The Physical, Paul J. Smith & Edward Lucie-Smith, American Craft Museum, Weidenfeld & Nicolson | |
The Basketmakers Art, Rob Pulleyn, Lark Publications | |
1984 | Design Principles and Problems, |
1981 | American Craft Magazine Portfolio feature |
1980 | The Fiber Design Book, Editors of Fiberarts Magazine, Hastings House |
1977 | Fiberworks; The Cleveland Museum of Art |
1976 | Fiber Structures, Van Nostrand Reinhold, Cincinnati |
Hardcore Crafts; Nancy Bruning Levine; Ballantine Books, Inc | |
1975 | Contemporary Crafts of The Americas; Nilda C. Fernandez Getty & Robert J.Forsyth; Regenry |
Videos
2023 | Body To Soul, Fairfield University Art Museum, solo Exhibition |
2020 | Off The Wall- Art to Wear , Philadelphia Museum of Art |
2020 | A Conversation with Norma Minkowitz and Michele N. Hamilton , Minneapolis Institute of Art |
2019 | Twister, browngrotta arts, Wilton, CT |
Trove, browngrotta arts, Wilton, CT | |
Arte Morbida, Textile Art Magazine | |
Norma Minkowitz: The Path, Art + Identity, browngrotta arts, Wilton, CT | |
2017 | Artist Talk by Norma Minkowitz, Flinn Gallery, Greenwich, CT |
2010 | |
Years in the Making: Norma Minkowitz, Sculptor, Interview, Martin West | |
Years in the Making: Norma Minkowitz, Sculptor Studio, Martin West | |
2002 | Maker Profile: Norma Minkowitz, Contemporary Fiber Artists, Odyssey Videos, Graham Eccles and Val Burnett |
Professional
2023 | Artist's Gallery Talk: Solo Exhibition, Norma Minkowitz: "Body To Soul” Fairfield University Art Museum, Fairfield, CT |
2019 | Artist's Talk: A Conversation with Norma Minkowitz and Michelle M. Hamilton, Minneapolis Institute of Art, Minneapolis, MN |
2017 | Artist's Talk, Flinn Gallery, Greenwich, CT |
Juror, Philadelphia Craft Show, Philadelphia, PA | |
Lecture, Wadsworth Atheneum, Hartford, CT | |
2016 | Lecture, SOFA Chicago, Friends of Fiber International, Chicago, IL |
Juror, Excellence in Fiber Exhibition, Fiber Art Now, North Hollywood, CA | |
2015 | Lecture,Carol Walter Sinton Program for Art, M.H. de Young Memorial Museum, San Francisco, CA |
2013 | Exhibition Lecture, Philadelphia Art Alliance, Snyderman/Works Gallery, Philadelphia, PA |
2013 | Juror, with Michael Monroe and Elizabeth Argo for the Palm Beach Fine Craft Show, Crafts America LLC, Palm Beach, FL |
2010 | Juror, Craft America / Westchester Fine Craft Show White Plains, NY |
2009 | Presenter, Master of the Medium Symposium, Renwick Alliance of the Smithsonian Institution, Washington, DC |
Lecture and Panel Discussion, Fiber Arts, Museum of Arts and Design, New York, NY | |
2006 | Juror, Craft America / Westchester Fine Craft Show, White Plains, NY |
2005 | Lecture, SOFA NY, New York, NY |
Illustrated Lecture, Drawn to the Edge, Museum of Arts and Design, New York, NY | |
2004 | Illustrated Lecture, Museum of Arts and Design, New York, NY |
2003 | Guest Curator, Transcending Process: Contemporary Fiber, Brookfield Craft Center, Brookfield, MA |
Juror, Connecticut Commission on the Arts, Review of Grant Applications Hartford, CT, | |
2001 | Illustrated Lecture Katonah Museum of Art, Katonah, NY |
1998 | Advisory Committee Member, Connecticut Artist’s Collection, Connecticut Commission on The Arts, Hartford, CT |
1990 | Juror, Connecticut Commission on the Arts, Review of Grant Applications Hartford, CT, |
Juror, Paper/Fiber XIII, National Juried Exhibition, Johnson Arts Council, Iowa City, IA | |
1987 | Lecture and Panel Discussion, FiberR/Evolution, Brockton Art Museum, Brockton, MA |
1986 | Illustrated Lecture, Innovation I, Eastern Connecticut State University, Willimantic, CT |
1985 | Illustrated Lecture, Donnell Library, New York, NY |
1975 | Lecture, Women in the Arts, Arkansas Art Center, Little Rock, AR |
Lecture, Women in the Arts, South Dakota State University, Brookings, SD |